Tag: Architecture

CFP: American Art and Visual Culture Seminar

CALL FOR PROPOSALS:
Submission Deadline: Monday, June 3, 2019

The Newberry Seminar in American Art and Visual Culture is open to those working in the art history and visual culture of the United States, from the colonial era to the present. They are inviting papers that cross and challenge borders both within and outside the discipline that engage questions of methodology and ideology, examine exhibition and provenance history, probe the categories of race, ethnicity, class, and gender, and reflect critically on the state and outlook of the field.

They also welcome topics focusing on Chicago art and design within the larger national and international contexts, such as: thematic studies on world’s fairs, Chicago’s Gilded Age, institutional/private/corporate display practices, urban landscapes, African-American art past and present, and self-taught artists.

Flyer about the seminar
More information: scholarlyseminars@newberry.org
Submit a proposal at https://www.newberry.org/seminar-proposal-form

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Book Review: Amy Ione reviews Art Nouveau In Buenos Aires: A Love Story

Art Nouveau In Buenos Aires: A love story
by Anat Meidan
Ediciones Polígrafa, 2017
242 pp. Trade, US$ 55; 45.00€
ISBN: 978-8434313613.

Reviewed by Amy Ione
Director, The Diatrope Institute

Posted on Leonardo Reviews

After the recent election in the United States, I was drawn to the title of Anat Meidan’s exquisite book, Art Nouveau In Buenos Aires: A love story. How I longed for a love story to escape the raucous tone! Meidan’s book seemed like a particularly apt vehicle since Art Nouveau was the first art movement I fell in love with as a young artist. As it turned out, this volume was the perfect salve. The author both conveyed her love for this city and shared the joy she found in exploring it:

A museum curator with a special interest in the Art Nouveau movement, the book succeeds because Meidan’s love story combines a passion for the art with a scholarly perspective. We learn that the project was seeded when she purchased a postcard with images of local Art Nouveau buildings in the city. (An image of the card is among the book’s illustrations.) This postcard led her to become a “collector of buildings” as she turned the city into an open-air museum. The large format of the volume, it measures 10×12 inches, readily conveys the elegance of her “building collection.” Credit is also due to Gustavo Sosa Pinilla, a leading architectural photographer who accompanied her on the expeditions around the city. Indeed, the use of multiple photographs helps her present both the architecture and its details. Her presentation was also helped by the generosity of people she met. She tells us that in many cases her evident interest in a site led to personal tours of private spaces. Looking back, Meidan sums us the project as follows:

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